A month after the release of the single “Strawberry”, Grammy award winning R&B group 112 returns with the follow up single “Dangerous Games.” The track serves as the first single from the group’s highly anticipated forthcoming album “Q, Mike, Slim, Daron”, due out on Entertainment One this fall. On “Dangerous Games”, the group returns to the soulful balladry that made them one of the most successful acts of the 1990s. The track finds the fellas scouring the highs and lows of love with allusions of games of chance. Playing with fire is a dangerous game, but don’t tell that to the members of 112, as they have a sure fire hit on their hands with this number. 112 is known for the hits “Cupid”, “Only You”, “Come See Me”. “Love Me” featuring Mase, “Anywhere”, “It’s Over Now”, “Peaches & Cream” “Hot & Wet” and “U Already Know.” 112 is currently preparing for a world tour, which is slated to begin in the U.K. in September before coming back to the U.S. in October. Fans should watch for an announcement regarding tour dates. Envogue continues to deliver exciting performances after 30 years in the music industry. During last week’s episode of “Boy Band”, Envogue, Cindy Herron, Terry Ellis and Rhona Bennett, took the stage to perform their hit “Free Your Mind.” The R&B veterans gave an energetic performance and showed the boy band hopefuls how to embody chemistry on stage.
Jamaican sensation Shenseea is set to drop her highly anticipated sophomore album, Never Gets Late Here, on May 24th via Rich Immigrants/Interscope Records. Available for pre-save now, the album promises to be a vibrant fusion of rhythms and genres, showcasing Shenseea’s distinctive style.
Executive produced by hip-hop producer London on Da Track, “Never Gets Late Here” builds upon the success of Shenseea’s critically acclaimed debut album, “ALPHA” (2022). With a blend of dancehall, hip-hop, R&B, and pop, Shenseea solidifies her reputation as a versatile artist.
The album features a diverse lineup of guest artists representing various regional sounds, including Afrobeats star Wizkid, Coi Leray, Anitta, Masicka, and Di Genius. Across fourteen tracks, Shenseea demonstrates her songwriting prowess and knack for crafting infectious melodies, resulting in a truly unique musical experience.
Renowned producer Madlib unveils his latest single, “REEKYOD,” featuring the lyrical talents of Black Thought and Your Old Droog. Making its debut on Madlib’s newly minted label, Madlib Invazion, the track showcases the iconic artist’s innovative approach to hip-hop.
Teaming up with acclaimed artist Mathieu Bitton for the single’s artwork, Madlib presents “REEKYOD” as more than just a song; it’s a testament to artistic independence and musical brilliance. The collaboration celebrates the essence of hip-hop, highlighting real rhymes, captivating beats, and the profound connection between emcee and producer.
“This is strictly for the honorees. Madlib is in his bag per usual and YOD is more than a force to be reckoned with. Simply complex, this piece is high art. Triple threat. Instant classique,” says Black Thought.
“It’s an honor to be inducted into the heavyweight class of hip hop,” Droog shares. “To be able to spar with one of the greatest MC’s on a beat by the greatest producer is a dream come true. Look out for the Madlib x YOD album coming soon.”
“REEKYOD” not only delivers an unforgettable listening experience but also serves as a declaration of artistic freedom, reaffirming Madlib’s commitment to pushing the boundaries of the genre. With Black Thought and Your Old Droog adding their distinct styles to the mix, the single stands as a tribute to hip-hop’s enduring legacy and the enduring creativity of its artists. Listen to “Reekyod” below.
The Detroit area has produced some of R&B’s most popular singers, from Smokey Robinson to Kem. Another vocalist following in that tradition of soulful crooners from his hometown is Smoke Jones.
He is not only a singer but also a bandleader known for blending smooth soul with a jazzy delivery. His new single – a love ballad called “Say Less” – falls into this category.
Smoke explains that “Say Less” is about “observing and listening to your partner about their love language…and then verbally expressing those points, so that your love knows you’ve been paying attention.”
In the lyrics that he penned, Smoke indicates that he’s been paying attention to what his lady wants:
“You told me you want a love, one that sustains you Looks after your every need, one that remains true So, baby, say less; say no more”
On this song, you hear Smoke’s convincing vocals underscored by Randal V. Wilson’s jazzy guitar. Listening to this track feels like a cool breeze on a warm day, or better yet a getaway by the beach. If you enjoy artists such as Carl Thomas and Kem, you’ll likely dig Smoke Jones.
“Say Less” became available on April 26th, a significant time for Smoke because it’s almost six years to the day of his first gig as a professional musician.
It’s been said that where there’s smoke, there’s fire; so check out Smoke Jones’ “Say Less” below. You may find yourself wanting more…
This song is the property of Young Stoner Life Records/300 Entertainment
Sergio Giavanni Kitchens, known professionally as Gunna, is an American rapper/singer/songwriter from College Park, GA. Kitchens is signed to rapper Young Thug’s YSL Records, an imprint of 300 Entertainment. He rose to prominence with his third mixtape “Drip Season 3.” Since that time, Kitchens has released four studio albums.
Usher Raymond, known professionally as Usher, is an American singer/songwriter/dancer. He rose to prominence following the release of his self-titled debut album in 1994. Since that time, Raymond has released eight studio albums. In addition, Raymond has worked as an actor, having appeared in such films as “In The Mix”, “Light It Up”, “She’s All That” and “Bad Hair.”
R&B duo The Amours, which consists of sisters Jakiya and Shania, just released their debut EP “Changes”, executive produced by Camper via November Yellow. One of the standout tracks on the album is the title track. Listen to “Changes” below.
This song is the property of November Yellow/Imperial
Chance the Rapper has released his latest music video, “Buried Alive.” The video delves into themes of self-discovery, resilience, and the relentless pursuit of freedom. The track showcases Chance’s signature blend of introspection and infectious energy, resonating deeply with fans.
In the video, Chance begins trapped inside a box, reminiscent of a scene from the cult classic film Kill Bill: Volume 2, which celebrates its 20th anniversary. As the tension mounts, Chance breaks free from his confines, embarking on a journey of self-actualization and defiance.
Emerging into a surreal environment, surrounded by the vast expanse of space with Earth visible in the distance, Chance approaches a window, gazing out at the cosmic panorama before him. This moment symbolizes freedom from past constraints and a newfound sense of possibility.
“Getting back to directing and shaping the cinematography for the ‘Buried Alive’ music video was really a rewarding return for me,” says Chance the Rapper. “Film provides me a platform to translate my creative vision into a tangible, immersive experience, while also capturing the grandeur of the cosmos.” He continues, “Throughout this project, I’ve been using film as a translator for some of the heavier or more fantastical themes in my lyrics. Auteurs like Wes Anderson, Spike Lee, and now Quentin Tarantino have greatly influenced my eye as a director and DP, while providing me a medium that allows these conversations of liberation and catharsis to speak loudly.”
“Buried Alive” offers a powerful visual narrative that complements Chance’s lyrical exploration of the human spirit’s depths. The video’s release has sparked excitement among fans, eager to engage with its themes of liberation and self-discovery.
With “Buried Alive,” Chance the Rapper continues to captivate audiences with his compelling storytelling and thought-provoking imagery, solidifying his place as one of music’s most innovative and influential artists. Watch the “Buried Alive” video below.
YG has returned with his first solo track of the year, “Knocka,” accompanied by a vibrant music video. Under his new BMG deal, the lyrical titan showcases his consistency and energy, solidifying his status in the rap scene.
“Knocka” kicks off with a blend of classic and contemporary sounds, featuring a soulful background vocal leading into YG’s commanding proclamation, “this sh*t is a Knocka,” a hook that resonates throughout the song. With his distinctive West Coast style, YG effortlessly blends elements of his LA roots with a modern twist, which is evident in the track and its accompanying visuals.
The music video captures YG’s arrival in Compton, donning a matching red outfit and vibing to the music alongside locals. Dynamic scenes showcase YG surrounded by dancing women, confidently wielding a flamethrower and tossing money into the air, creating a celebratory atmosphere that mirrors the song’s energy.
Recently, YG signed a multi-album global recordings partnership with BMG under his 4Hunnid Records label, setting the stage for his highly anticipated seventh solo studio album. Beyond music, YG ventures into entrepreneurship with the launch of the 4HUNNID Podcast and makes waves in the wellness sector with his Cherry Bomb supplement for men. “Knocka” marks another milestone in YG’s illustrious career, signaling his continued impact and influence in the industry. Watch the “Knocka” video below.
Although Taylor Swift’s chart busting “Tortured Poets Department” dominated the news cycle the last weekend of April, the hip hop and R&B worlds kept churning out hot new tracks and buzzy news stories kept us occupied. In yet another update to 2024’s Great Rap War, Drake complied with the Tupac Shakur estate’s request to take down his new “Taylor Made Freestyle”, which featured verses spit by AI-generated versions of Snoop Dogg’s and Tupac’s voices. Kendrick Lamar has still not responded. In other news, Ice Spiced blessed Cash Cobain & Bay Swag’s “Fisherrr” remix, Ne-Yo smashed his NPR Tiny Desk set with a mixture of hits he’s penned for both himself and other artists, and Eminem announced a new album entitled “The Death Of Slim Shady (Coup De Grace)” out this summer. The Fresh Picks below highlight the best and most interesting new sounds across R&B and hip hop; from Susan Carol’s soulful debut to Tommy Richman’s fast-rising smash. Check out the Fresh Picks below.
Freshest Find: Susan Carol, “Karma”
Fresh off her first career Grammy win (best traditional R&B performance for “Good Morning” with PJ Morton), Susan Carol is celebrating her recent signing to Def Jam with new single “Karma.” Produced by Harmony Samuels, “Karma” finds Carol delivering a biting vocal performance that plays well against the lush combination of swanky guitars, steady percussion and ornate strings. “Think you better than you is/ And I swear the d–k was mid/ It’s just like a boomerang/ Your’re throwing out bulls–t & it comes right back on you/ There’s nothing left for me to do,” she sings before the production opens up into a soulful symphony of lounge jazz influences. The concept of the song is simple, yet effective, why waste time plotting revenge when you can let karma fight your battles for you? Well said, Susan.
Tommy Richman, “Million Dollar Baby”
Tommy Richman has arrived. The Virginia native guested on Brent Faiyaz’s Larger Than Life album last year — but now, he’s capitalizing on his chance to fully introduce himself to the world. A TikTok snippet scorched the platform, and “Million Dollar Baby” hit the ground running on Friday (April 26). Released via Brent Faiyaz’s Iso Supremacy in partnership with Pulse Records, “Million Dollar Baby” sounds like a cousin of BROCKHAMPTON’s catalog, with Richman alternating roles and jumping octaves in his vocal range. For those that enjoy a grungier aesthetic, the unpolished DVD version of the track is also available featuring clipped drums and a fuzzy bassline. “Million Dollar Baby” could be making a splash on the Billboard Hot 100 with a lofty debut, as a bona fide song of the summer contender has arrived.
Normani feat. Gunna, “1:59″
For the first taste of her long-awaited debut studio album, Dopamine, Normani recruits Gunna for a sultry midtempo that combines the lush vocal stacks of Brandy, the effortless seductiveness of Aaliyah and the Fifth Harmony alum’s own trademark enigmatic allure. As he does on his own R&B-adjacent collaborations, Gunna slinks in and out of harmony with Normani, presenting welcome contrasts to the song’s overall languid feel and providing a bit of dynamism for the “Motivation” singer to play off of in the back half. Now that her debut LP finally has a release date (June 14), “1:59” is a solid introduction to the Normani of Dopamine.
Anycia & Cash Cobain, “That’s Hard”
Here’s an unexpected collaboration from the pair of rising rappers leaving their mark in 2024. Everything Cash Cobain lends his Midas Touch to is turning to gold these days. Cash freestyles another silky chorus and welcomes Anycia into his world with a Slizzy summer on the horizon. She matches his typically laid-back and raunchy vibes. “I’m getting top in the back of a brand-new car/ Nene the hardest/ He singing my s–t by the bar,” Anycia brags in her raspy flow. “That’s Hard” is a fun standout from Nene’s robust Princess Pop That debut, which arrived via UnitedMasters on Friday (April 26).
JT, “Okay”
JT is on the cusp. Between her smart moves in the fashion world, the fan base she’s solidifying through her current club tour and club-ready records like “Alter Ego” (with Doechii) and now “Okay,” 2024 is shaping up to be a career-defining year for the City Girls rapper. “I’m pretty than a motherf–ker, h–s be lookin’ okay/ She think that she f–kin’ with me, is this bitch okay?/ He said he ain’t f–kin’ ’round, I look at him like, ‘Okay’/ I used to be down bad, but now a b—h okay,” she splits in her typically unbothered tone of rattling production from Akachi and Shawn Ferrari. With a hook this sticky and a string of solo singles as strong as “Okay,” “No Bars” and “Sideways,” JT’s forthcoming City Cinderella mixtape could very well take her to the next level.
Babyface Ray, “Glory”
A rose bloomed from the concrete of Detroit. Babyface Ray has been as consistent as they come from the thriving Midwest rap scene. Ray basks in his glory as his smoky flow aerates the twinkly production. However, the 33-year-old can’t relate to his Gen Z peers in some ways like publicly broadcasting street violence. “I’m glad I was raised by bosses, these n—as lost in the sauce keep talkin’ ’bout killing/ All of the killers I know, they don’t even talk, so I’m sayin’ too much right now,” he contests. Ray switches gears and paints a picture of his baby boy waving bye-bye from the back of his Benz – it’s all about versatility. He claimed the Summer’s Mine with his 2023 project, we’ll see if he can find his way into the mix again this season.
Camper feat. Tank & Syd, “I Need It”
Camper, the Grammy-winning producer behind chart-topping hits like Coco Jones‘ “ICU,” is stepping into the limelight. For his new single, the R&B craftsman recruited Syd and Tank, two voices that — while they evoke two separate eras of R&B — make for an absolutely gorgeous duet. Between Syd’s beguiling tone and the buttery seduction of Tank’s delivery, “I Need It” finds the two singers beautifully painting across Camper’s intimate, bedroom-ready production. “Find a better reason/ Why we shouldn’t lay up/ Get back to freakin’ right now/ All I know is/ I need it,” Syd declares.
Bairi, “Man Enough”
Bairi’s luscious vocals could melt a heart made of ice. Sampling British art-pop group Art of Noise, “Man Enough” finds The Siren radiating about a distant lover trying to decode where they went wrong along the way. “Trapped in your sea, stuck in your weeds, begging you please, come back to me/ But I ain’t tripping if you want to leave, then leave/ Just don’t leave me on an empty guarantee,” she softly sings. Word to Ariana Grande, Bairi’s got no tears left to cry and she’s ready to move on from her former flame who couldn’t perform up to standard. “Man Enough” is just a peek into Bairi’s talent exuded on her intoxicating debut album Fire Siren.
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